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1963 - The Plant
A cinematographic essay starting from the celebration of the 1st of May (Labour Day) at the Plant ”1st of May” in Ploieşti, producing oil equipment. The film presents the changes brought along by the plant in the social life of the people working there- by using unexpected and metaphorical analogies.
Histories of the today’s and yesterday’s locomotives, as signs of the passing of time and social changes.
A cinematographic poem about time and man’s ages- starting from Romanian medieval embroideries showing the Lamentation of Christ.
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1970 - Signs

The symbols of popular art read as signs of the generations and ages’ succession in traditional celebrations and in the cycle of life.

Utilitarian film made at the request of the Ministry of Chemistry about the possible effects of improvised and unauthorized gas cylinders, pretext for presenting a tragic cine verite in Vadu Părului village at the end of the 60s.
The habits and fields of popular art where the fir tree, the symbol of continuity and renewing of life, is present.
1972 - Eforie
1972 - Mamaia

the trajectory of „celebration” bread from wheat to knot-shaped bread (the most ephemeral product of peasants’ art) and its presence in the fundamental moments of the life cycle: birth, wedding, death. In the Maieru (Bistriţa Năsăud), Frecăuţi (Bucovina), Bixad (Oaş), Polovraci (Gorj) villages.

The cinematographic version of Toader Hrib’s - peasant in the Arbore village, of the Suceava district, and founder of a local museum - chronicle.
1974 - Geneses
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two parallel chants: that of lady Despina, the wife of Neagoe Basarab voievode (XVI cent) and of Toma’s Floarea, the wife of a shepherd in Ciunget (XIX cent): words to their descendants (containing also excerpts from Neagoe Basarab’s Learnings to his Son Teodosie).
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1978 - Dance
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the representations of man in popular ornaments, present in all life’s essential events, from birth to death.
1979 - Grain
Counterpoint to the epigraphic images and texts from the Roman funeral monuments of the first centuries AC, from the Carpatho-Danubian space (found in the museums in Constanţa and Adamclisi) and the drawings and writings from the crosses in Săpînţa, Maramureş.
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An insight into the spiritual life of the Serbian and Croatian population from the Caraşova Valley in the Banatului Mountains (inhabitants of the Caraşova, Clocotici, Lupa, Ravnic, Vatnic and Nermet villages, come here half a millennium ago, from ex Yugoslavia’s territory).